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Abend wird Abenden Gleich (dreifach, sternförmig), 2022 (left)

Stone: Nero Assoluto, Viscoint White, 22 x 115 x 145 cm

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Im Traum der Träumer erwachen die Geträumten (Kette), 2016

Aluminium, black anodised aluminium, total length approx. 1.800 cm

Courtesy Konrad Fischer Galerie, Photo: Dejan Sarić

Abend wird Abenden Gleich (dreifach, sternförmig), 2022

Stone: Nero Assoluto, Viscoint White, 22 x 115 x 145 cm

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Beside the Brain Death Concept, Repeated (Neben dem Hirntodkonzept, wiederholt), 1999

Steel, brown paper, diabase, construction variable

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Ich bin Hier, Du bist Hier, Schattenversion in Kartonform, dreifach, 2011

Powder coated metal sheet, 48 x 175 x 130 cm

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Schlaf tief, Schattenversion vierfach, in Kartonform einfach (Lochblech), in Kartonform zweifach (Flachblech), 2015

Powder coated metal sheet, 49 x 256 x 209 cm

Courtesy Galleria Tucci Russo, Foto: Dejan Sarić

Der Himmel über schmelzendem Schnee, Schrankversion mit wiederholter Schrankform, 2008

Plaster, jute, steel, 159 x 62 x 113 cm

Courtesy Konrad Fischer Galerie, Photo: Dejan Sarić

Alle Metaphern werden wahr, Schattenversion vierfach in halber Kartonform dreifach (Lochblech) neben Schattenversion dreifach in halber Kartonform vierfach (Feinblech), 2016

Powder coated metal sheet, 58 x 248 x 200 cm

Courtesy Konrad Fischer Galerie, Photo: Dejan Sarić

Die Furcht verlässt ihren Gegenstand und geht über in Hass, 1993

Steel, brown paper, lava basalt, approx. 105 x 200 x 250 cm

Courtesy Galleria Tucci Russo, Photo: Dejan Sarić

WILL YOU REMEMBER (ECHO), 2015 (hanging in the centre)

Aluminium hexagonal profiles polished/anodised, steel cable, 260 x 118,6 x 1,3 cm

Courtesy Konrad Fischer Galerie, Photo: Dejan Sarić

Schneefall erzählt (dreifach, sternförmig), 2020

Lead, 5,5 x 82 x 78 cm

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Ich Bin Hier, Du Bist Hier (zweifach, sternförmig), 2021

Copper, lead, 16 x 53 x 42 cm

Courtesy Galerie Jocelyn Wolff, Photo: Dejan Sarić

Das Meer bei Ebbe geträumt, Schrankversion, 2008

Plaster, jute, steel, 163 x 189 x 80 cm

Courtesy Galerie Jocelyn Wolff, Photo: Dejan Sarić

WILL YOU BE THERE? (ECHO), 2020 (hanging in the centre)

Aluminum hexagonal profiles polished/anodised, steel cable, 260 x 118,6 x 1,3 cm

Courtesy Konrad Fischer Galerie, Photo: Dejan Sarić

Harald Klingelhöller

Installation view Skulpturenhalle, 2022

Photo: Dejan Sarić

Schlaf tief, Schattenversionen dreifach neben Raumecken in perspektivischen Raumecken, Schwebend, M: >1:1<1:20, 2022

Lacquered metal sheet, rounded bar, steel rope, 65 x 50 x 75 cm

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Schlaf tief, Schattenversionen dreifach neben Raumecken in perspektivischen Raumecken, Schwebend, M: >1:1<1:20, 2022

Lacquered metal sheet, rounded bar, steel rope, 65 x 50 x 75 cm

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Harald Klingelhöller

Installation view Skulpturenhalle, 2022

Photo: Dejan Sarić

Räume hinter Räumen hinter erzählten Räumen, Schrankversion, 2008

Plaster, jute, steel, 96 x 196 x 83 cm

Courtesy Harald Klingelhöller, Photo: Dejan Sarić

Harald Klingelhöller
Schneefall erzählt (Snowfall retold)

02.09. – 11.12.2022
Curated by Dieter Schwarz

 

Harald Klingelhöller’s sculptures are both verbal and material in nature. Klingelhöller creates various versions of a title, not an unequivocal representation. Title and sculpture are connected in tangible ways: the lengths of the words correspond to the measurements of the drawers in a cabinet or the size of star shapes; there are shadows cast by the sculptures, or the beats of a sonagram, capturing a spoken sentence.
The title In the Dreamer’s Dream the Dreamed Wake (chain) evokes the realm of dreams. Two versions are on show – a linked aluminium chain, which compartmentalizes the space, and a second of copper components laid out in a star arrangement on the floor.
There are referential pairs everywhere – mediating between the material weight of the stars and the immaterial distance evoked by their title, between the sculptures and their shadows transformed into sheets of metal and between black and white – light and dark.
Instead of providing a definitive solution, Klingelhöller creates possibilities, models in the scale of 1:1. The sculpture is not a fixed welded bolted or glued object, but rather consists of individual elements that are loosely interlinked. The shadow versions are kept in boxes made of black metal sheet; their weight keeps the walls of the boxes from falling apart. In the hovering versions the pieces complement each other, thus achieving a state of suspension.
As the title suggests, the exhibition can be read as a narrative with no beginning nor end, which unfolds around the elliptical shape of the Skulpturenhalle. It starts in the rotunda with the theme of evening and dream, and moves on to the question of life and death, followed by loss of the object, while the shadow versions mark a return to the spaces of the dream.

 

Dieter Schwarz